Community Mapshop 2015 has culminated in a series of outputs and engagements, but most recent among these, is our Atlas for a Community Mapshop. This is a compilation designed by a student in the course, Renae Mantooth, containing a number of the graphics and maps produced at the mid and final reviews for the studio. Using Denis Wood's Everything Sings as our inspiration, the class was asked to prepare graphics in grayscale, allowing for their easy reproduction and circulation. You can read the digital text, here (or below, or download). We explored the following themes:
From the text:
- Food Network
- Education Opportunities
- Modes of Travel
- Bus Shelter Inequity
- Uneven Housing Landscape
- Wifi Inequity
- Blue Grass Trust Plaque Program
- Facade Dichotomy
From the text:
Drawing on the last twenty-five years of scholarship in critical cartography and critical GIS, this workshop begins from the premise that maps are more than windows on the world. Maps do not only provide a record of geographic phenomena but also actually impact the conditions of knowing itself. This ‘more-than-representational’ viewpoint enables a productive urgency at the heart of a collaborative or participatory mapping endeavor. Therefore, the goal for this course was to prepare each student as a responsive and responsible mapmaker, at a moment in digital culture when there are many maps but few stories being told through them. To meet this goal, this course furthers the concept of the community mapshop -- an intensive studio experience in which students use mapping technologies in collaboration, when appropriate, with community partners. These partnerships have involved students in a full range of collaborative mapmaking: working with peers and community partners to invest in a study area, acquiring and preparing data for spatial analyses, communicating with those impacted by or implicated in these analyses, and producing compelling geographic representations.
Our community mapshop ends largely where it begins -- with a recognition that we, at the University of Kentucky, must do much more to educate ourselves as to the conditions of our communities. These communities are not merely containers for the University. Instead these places are the constituting materials, energies, and peoples that make our campus possible. In this course, we have sought to better understand the dynamics of what we have called the Northeast Quadrant of Lexington, Kentucky, an area composed of over a dozen neighborhoods between Newtown Pike and Winchester Road, from Main Street downtown, stretching out toward Loudon and New Circle Road. Far from homogeneous, the Northeast Quadrant is dynamic, and our attempts to represent the variegation, rhythms, and intensities are not meant to be the story of or for these neighborhoods. More modestly, we create these representations as souvenirs of our journey, which is just getting started. We hope they might provoke others to get involved.
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